Writing for Stage/Screen

To avoid the common "second act sag" a writer will need a well crafted subplot that can be focused on during sequence five of their screenplays.

May 5, 2012 – Michael Thompson

In sequence four of a screenplay the protagonist will tackle a greater challenge than faced in sequence three that will end with the Mid-Point Climax.

Apr 26, 2012 – Michael Thompson

To tackle the third sequence in a screenplay the writer must present the protagonist with a challenge while splicing in any exposition still uncovered.

Apr 24, 2012 – Michael Thompson

In sequence two, screenwriters must strive to corner their character's with a main tension that leads the story to be fully engaged by the climax of ACT I.

Apr 21, 2012 – Michael Thompson

Clichés screenwriters should avoid if they wish to survive Hollywood without breaking one of its vital rules: Don't look like an Amateur.

Apr 18, 2012 – Michael Thompson