American Indie Cinema

Jeremiah Kipp

Tired of the same old predictable Hollywood formula movies? From John Cassavettes to Jim Jarmusch, American Independent Cinema shall include reviews of the low budget movies which define the indie film world and provide profiles of pioneer filmmakers and fresh new discoveries on the festival and video circuit.


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American Indie Cinema

Michael Almereyda's Nadja (Part 3 of 4)

Here's a list of questions intended for an interview with Michael Almereyda. I have the audacity to answer them myself. After actually running the interview with M.A., I see my answers are far off the mark -- but hopefully they will amuse you.

Michael Almereyda's Nadja (Part 2 of 4)

“I want to be a mover and a shaker.”

Michael Almereyda's Nadja (Part 1 of 4)

The dead travel fast.

Cleopatra Jones

SLAM EVIL: CLEOPATRA JONES CLEANS UP THE STREETS

Brad Anderson's Session 9

Session 9 joins The Blair Witch Project in the new guard of horror films that actually manage to fill an audience with dread.

Goerge Romero's Knightriders

Arthurian Legend on wheels, baby!

Larry Clark's Bully

It won't hurt, will it?

Nick Gomez's Illtown (A Q&A With Myself)

A Q&A with myself about Nick Gomez's unsuccessful and terminally dull ILLTOWN.

Ghost Dog: Postscript

A word on the subtitles for GHOST DOG -- and why I think they're unnecessary. Jim Jarmusch disagrees.

Jim Jarmusch's Ghost Dog

Jim Jarmusch and Forest Whitaker work the way of the samurai. How cool is that?

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discussions
American Indie Cinema

The Best Movie I Ever Saw (1 msgs)

Freeway II: Confessions of a Trickbaby (4 msgs)

Requiem for a Dream (1 msgs)

Sean Penn's The Crossing Guard (2 msgs)

Looking for information on a specific independent film project (2 msgs)

Michael Almareyda's Hamlet (1 msgs)

Welcome Aboard! (1 msgs)

Define the Term: Independent Films (1 msgs)