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Independent Filmmaking

Life on the Road
A little insight into living and shooting out of town.
NYC After 911 – No Business as Usual
Making movies takes a back seat in New York City.
Digital or Film?
A look at the different options of shooting in digital and film
The Light Before the Dawn
Lo and behold the wonders of the last week before principal photography.
The Roar of the crowd
The producer must become the eye of the storm - quiet, yet waiting for turmoil.
"Welcome to your new home – Opening the Production Office"
They give you they keys and the office is yours!
‘I Wanna Make a Movie’ – Getting Started
Get your money. Get your script. Get your director.
Round Up the Usual Suspect – Please!
You can't go into battle without your best team behind you.
The Making of "The Rook" – Part II
The adventures move to upstate New York
The Making of "The Rook" – Part One
A story of coming onto a film already in progress, with lots of problems.
Things I've learned along the way
Tips for working in film that I've learned over the past few years.
Collaboration – It means you have to work together
A discussion on how the different players on set work together to create the film.
Once more into the breach
A personal journey
Below the Line Budget – Part One – The Art of the Deal
Developing trust with your crew and vendors is an important part of your budget.
The Budget – The Above-The-Line – The Cast
A discussion on budgeting for actors and negotiating with agents and Screen Actors' Guild.
The Budget – Defining the Beast!
Begining the process of determining the cost of an independent film.
Goodbye, Dear Friend
A tribute to a comrade who exemplified the best of what working in this business can be.
A Ghost Ride with Satan's Child
Many years of being driven by inexperienced drivers leads the author to a chilling realization.
The Second Assistant Director: Copy That!
A one-time experience as a Second Assistant Director is as dismaying as the author imagined it to be.
Show me the Money!
When is two million dollars not two million dollars? When it isn't in your bank account yet. A story about raising money for a movie.
How Much is this Free Location Costing Me?
The author discusses what to look for - and look out for - when scouting a location.
First Assistant Director – Sunglasses in the Rain
A First Assistant Director faces many challenges. Weather is one of them.
What's my line, producer?
A discussion of the difference between a producer, a line producer, and a production manager.
South Beach Diaries - Paradise Lost
Like a great Western, a producer and his project fade into the South Beach sunset. A conclusion to the story of a wacky project in South Beach, Florida.
South Beach Diaries- Trouble in Paradise
The author describes how a hurricane and a couple of pimps can make filming just a bit harder, and a lot more interesting.
South Beach Diaries - An Introduction
An introduction to an adventure the author had while producing a movie for a rap artist and a record company in South Beach, with a wild assortment of characters.
First Assistant Director: The Breakdown
The breakdown is what the Assistant Director prepares when doing the schedule, and what he has if it doesn't work.
The Seduction
Using film noir as a metaphor, the author warns of the dangers of the seductive project.
He’s Not "Just a PA"
A discussion of the difficult, and important, job of the production assistant.
We Still Don't Rent to Theatricals
A continued look at the relationship between production people and actors, and some advice on making the relationship better.
We Still Don't Rent to Theatricals
A continued look at the relationship between production people and actors, and some advice on making the relationship better.
We Still Don't Rent to Theatricals
A continued look at the relationship between production people and actors, and some advice on making the relationship better.
We Do Not Rent to Theatricals
In Part I of a two part article, the author explores the relationship between filmmakers and actors.
"JB-san" to the Rescue
This article describes some of the hazards of working on a production with people who speak another language.
Stan Bickman – Part II – War Stories from the B-Movie Days
In a continuation of my tribute to a mentor, Stan Bickman, I pass along some stories from the B-movie days, when Shelly Winters is making a schedule, and Jack Nicholson directs a dentist.
Stan Bickman - First You Have To Make the Movie
A tribute to a mentor, and the role of mentoring in film production.
A mule teaches a lesson to a stubborn production manager
The author uses a story about how mules (mis)behave on a film shoot to teach a lesson in production managing.
A Long Night with Killer Birds - My First Movie
The author's experience on his first film, a horror film where the lead actor was being a bit too much of a "thespian" given the subject matter.