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Not too long ago I saw a repeat of "I Dream Of Jeanie"which had a young Farah Fawcett guest-starring. As I watched the two actresses it occurred to me that writing and acting were very much alike. At the beginning of Farah's acting career she was completely self-conscious of her beauty. Barbara Eden on the other hand, also a stunning beauty, was completely oblivious of hers. While Barbara played goofy, ingenuous Jeanie, Farah flipped her hair and flashed her teeth and dipped her lashes. This contrast made me realize how often bad writing is not really bad writing at all, but self-conscious writing.
Do not self-censor when you write. Many aspiring and even some established writers do this. If the subject is too embarrassing for you to write about, then you probably should be writing about something else. Never use ----- or what I mentally recite to myself as blankety-blank-blank-blank in dialogue. If your character is cursing, then use expletives. If your characters are engaged in sex, then get into it. Or get out. Write something else. Something you're comfortable with. Suggesting sex or swearing is not acceptable in today's presentation of popular culture. You have to show it. On the flip side, editors are so used to writer's trying to shock them with graphic sex, violence and coarse language that, unless, the scenes move the plot along, they will be seen as gratuitous and contrived to get attention and that won't work either. Self-conscious writing is not the same as writing that is self-aware. Becoming self-aware after your masterpiece is done is an excellent habit to get into. It's called editing. It is also being savvy of what markets want. If your target market does not want graphic sex or coarse language, you are submitting to the wrong market. Or you have written the wrong story. Unselfconscious writing makes the reader totally unaware of the presence of the author. Take yourself out of it. The reader should never be aware that the ideas, attitudes and behaviours of the characters are the author's. Otherwise you break the magic spell, which is the story. One of the best examples I've come across is BRIDGET JONES'S DIARY by Helen Fielding. This novel was no bestseller by accident. Read its first line: "I WILL NOT: drink more than fourteen alcohol units a week". With this opening, we already get a sense of who Bridget is and we don't imagine that she is a character being written by somebody else. Go To Page: 1 2
The copyright of the article A Bestselling Novel Avoids Self-Conscious Writing in Mass Market Fiction is owned by . Permission to republish A Bestselling Novel Avoids Self-Conscious Writing in print or online must be granted by the author in writing.
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