Mother Nature's Paint Box
But once we have the idea of structure and texture in place, we get to the fun part - adding colors to that sea of mixed green. Fun - but nerve-wracking. I was a coward with my own first garden. Getting the heights, shapes and cultural conditions of the plants right was hard enough - I couldn't be bothered worrying about whether the colors clashed. So I decided to make it simple. I'd just do all white. Surprise! Whites clash. At least some of them do, There are blue-whites and grey-whites, yellow-whites and pinkish ones, and a few are actually pure white - and they don't necessarily all look good together. Put a white-white next to a yellow-white and it looks like you made a mistake. So I HAD to start sneaking in colors to mediate between the clashing whites. White is a great color to start adding color to, because few colors really clash with it - so you will always have at least an acceptable pallette, if not a stunning one, as you can see at left. The white and silver border here is nice but bland. It has nothing to set it off - to really emphasize its "silverness" - until color is added. So that's what we'll set out to do in this article. If you really look at your flower colors you'll find that painting in plants is actually easier than using pigment. Let the flower tell you what it wants as a neighbor. Repeating grace notes However, blue and white alone was a bit too sedate - so I looked at my blue flower - a tiny veronica, and discovered that it has tiny yellow stamens. So I added some 'Penny's Worth' daylilies in approximately the same shade of yellow to the grouping. Suddenly it's not mere harmony - we have a symphony! (And yes, I KNOW I'm mixing my metaphors.)
The copyright of the article Mother Nature's Paint Box in Virtual Gardening is owned by Carol Wallace. Permission to republish Mother Nature's Paint Box in print or online must be granted by the author in writing.
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