If punk was a relatively minor, regional phenomenon in the U.S., it caught on big in Britain. In the U.K., clubs were more accepting of new bands, as groups like the Banshees, Generation X, Chelsea, and of course, the Clash and the Sex Pistols formed a vibrant scene. To this day, whenever the general public thinks of punk, it is the Brit version – dyed mohawks, ripped clothing, and safety pins through noses – that most people remember. If punk started in the U.S., it took on a life of its own in the U.K., where desperate economic conditions gave way to a dark, nihilistic national mood ripe for class warfare.
Many of the great post-punk bands would get their start during the first, classic wave of punk, or the years from 1976 to 1978. The Cure was playing small British clubs then, though they were known as The Easy Cure, and had yet to be discovered by Polydor Records, which would eventually make them the biggest selling post-punk act in the world.
Joy Division, perhaps the most critically acclaimed band of the post-punk era, was making records then, too. They got their start in 1977, when they were called Warsaw – after a David Bowie song with a similar title. Warsaw recorded the little-heard EP, an Ideal For Living, then changed their name to Joy Division in late 1977. Greatness loomed, but the decade would be over before the Manchester foursome would achieve their greatest notoriety.
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