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Lost in Space was a campy and silly 1960s television show about the Robinson family's efforts to return to Earth after an aborted space mission sent them careening though space. The show first aired in 1965. The modestly successful series faired well against its competition, The Ozzie and Harriet Show and The Patty Duke Show, and lasted three years on network television. The show increased its popularity in syndication, but was finally eclipsed by Star Trek in the TV science fiction genre.
Thirty years later, in 1998, Prelude Pictures released the movie version of Lost in Space in an attempt to cash in on the nostalgic value of the series for aging baby boomers and the interest of an entirely new set of children. Neither the television series nor the recent movie is a serious effort at science fiction or social commentary. High ratings or high box office receipts were the sole goals of the Lost in Space efforts. Since commercial success was the goal of the producers, Lost in Space ironically provides a window on American culture. It is at least a window on the television and film industries' assessment of American culture. The television series was set in the late twentieth century, while the new movie is set in the middle of the twenty-first. Perhaps the largest disappointment in looking back at the television series is the realization that the end of the twentieth century is not the beginning on interstellar exploration, but a time when our earliest astronauts, like Alan Shepard, are aging and dying. In 1965, we envisioned the future Robinson family as a happy one, cheerfully looking forward to their new lives colonizing a far away planet. In 1998, we view the twenty-first century Robinson family as dysfunctional. The intellectually precocious son (Will Robinson) feels unloved by his absent workaholic father. While the frivolous daughter (Penny Robinson) would rather be hanging out and shopping at the mall than exploring space. In 1965, the villain, Dr. Zachary Smith, was a bungling self-centered buffoon who constantly managed to put the Robinson family into precarious situations. In 1998, Dr. Smith is an edgy evil villain bent on killing off the Robinson family. In 1965, the Robinson family dressed in silvery suits that resembled aluminum foil. The 1998 Robinson family wear form-fitting, rubberized, anatomically correct suits that attempt to make sexual objects of even the pre-teen children. In 1965, the Robinson family was embarking on a noble, peaceful, hopeful, and forward-looking adventure to explore space and extend the reach of humankind.
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