Get in Close
Fill the Frame
This hint goes back to the previous one, in that, doing one will accomplish the other. Many times, we see 4x6 prints with the subject dead center and the rest of the print is of nothing. Think of it this way; if you want a picture of someone then make the picture of someone. The entire 4x6 inches should be of the subject. What are you trying to show in the picture? If it is your pet with his toy, sitting in his basket, then the whole print should be of your pet sitting in his basket with his toy, not 3/4 of the print of the living room and 1/4 of your pet in the center of the frame.
Rule of Thirds
All great compositions start with this rule. When you look through the viewfinder, think of it as being divided into a grid of 3 rows and 3 columns. Try to place your subject in a way as to cover as many of the blocks as possible.
Look at the graphics below. Which one looks like the snapshots that you have been taking? Now which one looks like a professional photograph? The only difference here is in the placement and size of the subject. Remember; Get in Close, Fill the Frame, and the Rule of Thirds. In no time your images will be better and stronger.
Use the Flash
Even on a bright sunny day you can still use your flash in order to fill in any harsh shadows. Professional photographers refer to this as fill flash. This is especially import when the subject is wearing a hat with a brim as it creates dark shadows across the face. Using a fill flash will light up the shadow areas and give you a much better picture.
Watch the Flash
This tip is very important when shooting indoors with a flash. On-camera flashes pointed directly at the subject may cause glare and hot spots that can ruin your picture. Another area to watch out for is the background where the flash can cause overly bright spots such as on a dark wall. If possible, point the flash up towards the ceiling where the burst of light will bounce off the ceiling and fall back down on the subject. This technique is commonly referred to as bounced light.
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