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Sir Walter Scott's Ivanhoe, as well as a number of the writer's other works such as The Talisman (source for Balfe's 1874 opera The Knight of the Leopard), satisfied staid Victorians' desire for fiction that, while filled with all manner of vicarious romance and adventure, was ultimately moralistic. Ivanhoe was the 1819 equivalent of what we would call a "mainstream novel" and is in fact not as dense as its modern reputation would make it out to be. It is quite readable, and entertainingly contains elaborately detailed descriptions of each character's appearance and what he or she is wearing, not unlike the historical "bodice-ripper" fiction of our own time.
To their credit, the Knights Templars did establish a number of castle-strongholds that took in Christians who required safe shelter along the eastern coastline of the Mediterranean Sea, an area that waffled back and forth between being governed by Christians or Moslems. But, in time, the Templars became so corrupted by their wealth that their order was finally abolished by Pope Clement V in 1312, who asked that their properties be given to their rival order, the more dedicated and ascetic Red Cross-like Hospitallers who cared for ill Christians passing through the East (while not ministering to the ailing, the Hospitallers also proved to be skillful and intelligent soldiers who successfully defended their buildings against the Turks). The Hospitallers, instead of growing fat on their profits, used the funds to buy the island of Rhodes to serve as a safe base for their work. They eventually shifted islands to become the Knights of Malta.
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