With this performance Reznor once again demonstrates his unique ability to mesmerize an audience with all his projected feelings, flung out with a force that's nothing short of amazing for a guy who appears to be quite reticent about talking about them in public. With some singers such a forceful, emotive style seems contrived. With Reznor, you don't doubt the sincerity of each grimace, every painful thought and lyric. It's not a pose. It's pure emotion, and you believe every second of it.
The difference that it's becoming clearer to see as each new song filters out, is that the Reznor of five years ago is definitely not the Reznor of today. He's matured. His themes reflect that. The lyrics of "The Fragile" focus more on others and a bit less on himself. Five years ago the turbulent feelings were all about Trent. These days he seems to be looking around and empathizing more.
"I was here too before everything else. I WAS LIKE YOU
I won't let you fall apart."
Not your typical NIN lyric is it girls and boys? I don't know about you, but somehow that's heartening to me. Mr. Self Destruct singing about feeling protective of someone or something. If that's not indicative of a brave new streak of optimism in Trent Reznor's musical vision, I don't know what is. I, for one, applaud the Evolution of NIN. Reznor is growing and changing. His music is reflecting that. Critics be damned.
In the pre-VMA interview with Reznor, Kurt Loder elicited little information that hadn't been reported elsewhere. Reznor talked about his recurring depressions, which were exacerbated by the death of his beloved grandmother last year. He tried psychotherapy for a while but abandoned it eventually, he said, for an undisclosed method of dealing with it personally instead. Apparently getting back to work figured prominently in his own personal form of therapy though.
Reznor, in one of the funnier moments in the interview, told Loder that some of the voices used on the new album were culled from pre-midnight raids on a local bar to draft people to sing or shout out certain things on the tracks. Drunken guys and comically horrendous atonal females was how he put it.
Go To Page: 1 2
| Here's the follow-up discussion on this article: | View all related messages |
For a complete listing of article comments, questions, and other discussions related to Carolyn S. Hillard's Nine Inch Nails topic, please visit the Discussions page.