Music Technology


© Deborah Jeter

Writings on MIDI and Technology in the Music Classroom
by Andrew Farnham

When I asked Andrew Farnham, earlier in the week, if he would be willing to be a co-editor for this article, he graciously accepted. There is a need for the information contained in this article and since I am a novice in using computerized music in the classroom, who better to write this article than someone who has been a "pioneer" in this field.

To begin with, I asked Andrew these questions:

    I am curious. How do you make midi files? What equipment or software do you need to create midis?

His reply was:

    First, the equipment. I use Mac computers; they need an external MIDI interface (a translator between the MIDI synthesizer and the computer) that plugs into a serial port, which is usually the modem port. Also, at least two MIDI cables, (ask for these at a good music store), for in and out MIDI messages.

    Also, a synthesizer, keyboard, and sound-source are needed. Here you have many options. I use a nice Yamaha Clavinova digital piano to play in to the computer, but I also have a General MIDI [GM] sound module to play the synthesized sounds out. At school, for my students, I use GM keyboards for an all-in-one package to do the same thing.

    Next, the software. On Macs you need to have MIDI system software that is in the system folder (Apple MIDI Driver or Opcode's OMS). Specific programs will specify which and usually load it during your install. Out of sight out of mind — of course, until it doesn't work for you! Sequencing software are programs designed to work as a MIDI recording studio. They are dedicated to playing in MIDI, manipulating and editing it, and playing it out. Notation programs are largely the same except their mission is to print out sheet music. When I first got into this about nine years ago there was a clear distinction between these two types of programs and what they could do. Today the lines are blurred, but the capabilities of the two kinds of programs are still different, which leads to confusion with many peoples' attempts to "get into" MIDI. I use Musicshop by Opcode for sequencing (a very basic program, but very usable), and Encore and MusicTime by Passport for notation. I plan to upgrade at some time, but the aforementioned programs cost around $100 US (I got the Encore on a deal) and more powerful programs would cost three times that. (Note: I get most of my software

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Here's the follow-up discussion on this article: View all related messages

8.   Feb 15, 1998 11:02 AM
Here is a link to some more expert advice on music technology by Andrew.

Music Technology Articles by Andrew Farnham. ...


-- posted by Deborah_Jeter


7.   Nov 30, 1997 7:24 PM
Hi David and Deborah,

Just spent the better part of today reformatting my hard drive and reinstalling most of my software. Yuck!

The world of percussion sounds in MIDI is a wonderful thing. Davi ...


-- posted by AndrewF_2


6.   Nov 28, 1997 6:27 AM
Andrew, thanks so much for the upgrade....me to expert status that is! Deborah's right about the time of year making it hard for to people to sink their teeth into such an engrossing area. You're pr ...

-- posted by DavidS_9


5.   Nov 27, 1997 10:39 PM
David Saphra's email is gamba@concentric.net

I'm sure he'd be most happy to discuss anything midi. ;-)

Andrew, your expertise is very much needed as we ...


-- posted by Deborah_Jeter


4.   Nov 27, 1997 6:33 AM
Lynn,
Macs don't use a sound card like IBMs. They have a software method of doing the same thing You will be able to get a basic set of General MIDI sounds from you Macs using MusicTime if you have t ...

-- posted by AndrewF_2





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