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I'll be frank with you: Pulp Fiction is not your grandmother's film classic. It has murders, drug use, and a ridiculous amount of swear words. And then there's The Gimp. But stick with me: Pulp Fiction may not be Hollywood's prettiest daughter, but it's one of the smartest.
Using very little traditional storytelling, Tarantino managed to create something that was not only original and stunningly unique, it appealed to moviegoers-to the tune of over 200 million dollars. Many of those saw it multiple times (I saw it twice, and I have a friend who swears he saw it ten times in the theater. Perhaps that's excessive!). In fact, it's on the list of 250 highest grossing films ever. The humor in this film is riotous. The genius of Tarantino's humor is that it is misplaced in the grave and strange environments he puts it in. There is a scene where two hitmen are discussing foot massage right before a hit. They approach the door of their unfortunate victim talking about massage, and then walk down the hall and talk about it some more before doing their, um, job. There are so many instances in this film where a laugh is almost painfully extracted from the viewer, and Tarantino uses the laugh to pull a one two punch when he delivers the aftermath. "Pulp Fiction" is more "Citizen Kane" than "Gone with the Wind". It does have some traditionally classic elements, like memorable phrases ("Zed's dead, baby, Zed's dead") and memorable music (the soundtrack made millions), but its power lies in the original way the story is presented. Like "Citizen Kane", Pulp Fiction has its own Rosebuds and irresistible film lore. There is almost a cult following of people who discuss what's in Marcellus' suitcase, why Marcellus wears a band-aid, and how Vic Vega, discussed on the phone, is the Vega in Tarantino's Reservoir Dogs. Go To Page: 1 2
The copyright of the article Pulp Fiction: Strange Jewel in Modern Classic Films is owned by . Permission to republish Pulp Fiction: Strange Jewel in print or online must be granted by the author in writing.
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