If Freedom of Speech Was Gonem Would the People Notice?

In February, 1999, I wrote an article in two parts ("http://www.omegaserv.com/popcult.html" and "http://www.omegaserv.com/popcult2.html") on how popular counterculture since the sixties has been used by "they"--that is, the power elites--to socially engineer the world's youth into accepting their hidden agenda, in particular, the use of drugs and moral degradation so as to make it easier for us to accept what they have in store for us in the next century. To back up my claims that counter culture is part of their "conspiracy," I cited several pages from Dr. John Coleman's book "The Conspirator's Hierarchy: The Committee of 300," published by American West Publishers (note: it was very fortunate I was able to download it from "http://www.Wiretap.Spies.com") There is no reason to doubt the accuracy of Coleman's work, for he has been a British Secret Service agent in M-16 who has, as part of his work, access to highly secret documents and sources as well with that kind of access, including sources at Tavistock, the institution which has, apparently, worked up much of this counterculture with which "they" plan to enslave our minds. Also, I have a friend, formerly of DEA, who can verify many of Coleman's facts.

Anything, even the music I grew up with, rock music, which is intended to be used for social engineering or mental slavery, must be opposed by any thinking free individual, but with caution. Not all rock music is harmful, for sure. Not all rock stars are drug dealers, and not all of them are devil worshippers. What you have to watch for is "whom does this music serve? Whom does this song or band serve?" For instance, everyone who lived in the late sixties is familiar with the Steppenwolf song, "The Monster." That song just happens to be a theme song for a politically incorrect radio show on WWCR Friday nights, one which recently interviewed Congressman Bob Barr of Georgia on the Clinton Impeachment Trial Proceedings. The "Monster" referred to, of course, is the power elites, which, thanks to ex-president Bush, has now been identified as "The New World Order." (Hey, I know that term is overused, but what the hey--most now know whom I am talking about at least.) It is interesting to note here too that Steppenwolf, which strangely enough became superbig on the counter culture scene quickly and just as quickly "left" the scene, also recorded "The Pusher," an anti-drug song as well as an anti-drug dealer song (were they trying to tell their colleagues something?). Could it be Steppenwolf had to "leave" the scene before too many young folks started taking this anti-drug stuff too seriously? Another group which mysteriously "disappeared" recorded a song called "The Smell", another anti-drug song on how drugs affect your body--was the "plane crash" that killed Lynard Skynard just an "accident"? Was reggae star Peter Tosh, who advocated legalizing marijuana but who was opposed to mind-controlling drugs like heroin, murdered by "accident?" Was his buddy, Bob Marley, a victim of "cancer" by "accident"? Did Brian Jones and several other rock stars "OD" by accident? And I can't get over the feeling John Lennon's assassination wasn't just a "lone crazed killer," that it was actually part of "their" agenda. That Mark David Chapman's murder of Lennon has been likened to an MK-Ultra experiment has been cited on "http://www.apbonline.com".

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