BERT WILLIAMS, THE JACKIE ROBINSON OF THE AMERICAN THEATER - Page 3


© Joyce E. Eberly
Page 3
Although William appeared in various Ziegfeld productions until 1919, he continued to chafe under the injustices of segregation. In 1920, he starred in "Broadway Brevities of 1920," with Eddie Cantor, who had had a falling out with Ziegfeld because of his activities as a leader in Equity strikes. In 1921, Williams appeared in "Shuffle Along," created in part by his good friend, Eubie Blake, with an all-black cast.

"Shuffle Along" ran for three years, but Williams left the show to star in an all-black musical, "Under the Bamboo Tree," in 1922. He had been suffering for some time from heart problems, but he continued to work. During a performance in Detroit on February 27, 1922, he collapsed after ten minutes. On March 4, 1922, at the age of only forty-seven, he died at his home in New York City.

Williams's recordings have been collected and are available on CD. To listen to excerpts from his records, one can find them at http:/www.archeophone.com/Catalogue/Pioneers/5002.html. These include not only his songs, but also his monologues, including "Elder Eatmore's Sermon on Throwing Stones," illustrating Williams's "ability to portray hypocritical religious figures."

His final recordings dealt with the subject of the day: Prohibition. Three of his most famous songs were: "Ten Little Bottles," "Save a Little Dram for Me," and "Everybody Wants a Key to My Cellar."

This great comedian, actor, and singer deserves to be remembered not only for his enormous talents, but for his unstinting efforts trying to eliminate racial segregation in the United States. About Williams, Booker T. Washington wrote: "Bert Williams has done more for his race than I have. He has smiled his way into people's hearts. I have been obliged to fight my way."


Featured Course:
Enhancing the People/Pet Partnership

Go To Page: 1 2 3


The copyright of the article BERT WILLIAMS, THE JACKIE ROBINSON OF THE AMERICAN THEATER - Page 3 in American Musical Theatre is owned by Joyce E. Eberly. Permission to republish BERT WILLIAMS, THE JACKIE ROBINSON OF THE AMERICAN THEATER - Page 3 in print or online must be granted by the author in writing.

Post this Article to facebook Add this Article to del.icio.us! Digg this Article furl this Article Add this Article to Reddit Add this Article to Technorati Add this Article to Newsvine Add this Article to Windows Live Add this Article to Yahoo Add this Article to StumbleUpon Add this Article to BlinkLists Add this Article to Spurl Add this Article to Google Add this Article to Ask Add this Article to Squidoo


Here's the follow-up discussion on this article: View all related messages

6.   May 29, 2003 5:15 PM
I am from Antigua and old Antiguans in Harlem knew Bert Williams as an Antiguan.

"Bert Williams was born on November 12, 1875, in the village of Swetes, Antigua and Barbuda. He is registered in the ...


-- posted by maynard4


5.   Aug 15, 2002 5:32 PM
I enjoyed reading your article on Bert Williams and his contributions to the American and European theatre. I have long been a fan of Bert and Williams and Walker and agree that more individuals shoul ...

-- posted by hb480


4.   Jun 14, 2002 8:07 AM
In response to message posted by JButler:

Hi Joy,

I'd never heard of Bert Williams before, either. What a lot of heartache ...


-- posted by JoyceEberly


3.   Jun 14, 2002 8:06 AM
In response to message posted by Renie_Burghardt:

Hi Renie,

Thanks so much for your kind comments. Bert Williams was a rea ...


-- posted by JoyceEberly


2.   Jun 12, 2002 6:03 AM
I enjoyed learning about this great entertainer and human being. Thank you. Excellent article, Joyce!

-- posted by Renie_Burghardt





For a complete listing of article comments, questions, and other discussions related to Joyce E. Eberly's American Musical Theatre topic, please visit the Discussions page.