Selling Out: What Happened to Folk?


© Robert Whillans

Rock and its artists have always been accused of selling out. It seems that anything that becomes successful which previously was only popular among a small group of people is destined to be looked down upon as having "sold out". Selling out means an abandonment of principles or of origins, which is to say that in the process of becoming famous, you either compromise your musicality in order to satisfy commercial needs or you become too big for your humble origins and forget all about where you came from. Indeed, rock is beridden with tragedies such as these. But, in the great scheme of things (as I often like to say), rock was never intended to deliver a message, uphold principles or retain musicality. No, this was the job of a different type of music. We call it folk. It was folk that crushed (at least in principle) the mass-produced trash of the early sixties and gave way to a new way of thinking of music, and therein lies the irony.

Folk music means many different things, depending on who you are and what time period you're thinking of. For the purposes of this article, I am not referring to folk music in its traditional sense (which, in one of those clever little twists of life, is known as traditional music.) I mean the folk music of Bob Dylan, Joan Baez, Simon and Garfunkel, and so forth. Folk music was mainly an underground scene during the early sixties, being played at various cafes in areas populated by nouveaux artistes, as I like to say. During this time, folk music wasn't about the music. No, it was about the words, the message, the artist trying to express himself and the audience gratefully lapping it all up. This is when Bob Dylan and Simon and Garfunkel (well, if we're talking about words, just Simon) came into play, for they were true poets whose words delighted your soul. For this reason, the musical backgrounds were soft and calm, so as not to take the attention away from the words: a guitar, maybe a harmonica, but that was it. And an acoustic guitar at that. This doesn't necessarily mean that the music wasn't elegant; anyone who has heard "Don't Think Twice, It's Alright" or "Bleeker Street" can attest to that. But certainly, it was not meant to be the main focus, just a welcome extra. However, all that was soon to change.

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