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Page 2
eight year old to listen to it, but I *love* that motherfucker. Easily
the pinnacle of both Dre AND Snoop's careers, it features their finest
raps and Dre's fattest beats, along with an all-star lineup of Dogg
Pound MC's who have style and flare and the ability to deliver their
raps smoothly to your earhole to the point you memorize all the words.
There's even a hidden political agenda: "The Day The Niggaz Took Over"
is a subtle reminder that black folk are tired of 450 years of racism
and ain't TAKING that shit no more. I don't condone the misogyny or
some of the more simplistic rhymes, but the overall effect is a powerful
rap album even WITHOUT the intelligence of Chuck D or the linguistic
ability of an Aceyalone.
I have to swallow the contradictions and chalk it up to the same contradiction that we call life itself. Statistically the odds are that we shouldn't even exist, yet here we are. Hip-Hop's like that too. The odds say that an artform like this should never have flowered and not only SURVIVED but multiplied and spread all around the globe; pollinating new fans and new artists anywhere that it reaches. If an eight year old is going to listen to rap, I can at least hope that there is a parent or guardian there to help them discern the meaning and intent. If an artist is going to do gangsta rap, I can hope they'll not forget to remind people that it's illustrative and NOT demonstrative: you're not supposed to follow their example or practice what they preach about the street. I can hope that hip-hop fans will see beyond simplistic rhyme patterns like "trigga" and "nigga" and demand a higher quality product that is not only more creative but less debasing. I hope for hip-hop. I pray for it every day and every night. And I go to the record store and shell out $12.99 for GangStarr and $13.99 for Goodie Mob, and my faith in hip-hop is rewarded. To all the gangsters, players, hustlers, preachers, teachers, and scholars of hip-hop music; keep doing your thing. Keep it CREATIVE, don't just keep it real. And always support your freedom of speech. Peace, Flash
The copyright of the article The Dichotomy of a Hip-Hop Music Fan - Page 2 in Hip-Hop Music & Culture is owned by Steve Juon. Permission to republish The Dichotomy of a Hip-Hop Music Fan - Page 2 in print or online must be granted by the author in writing.
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