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Of late it seems that to be the hardest of the hardcore AND a real hip-hop head, you're not allowed to say anything nice about Sean "Puffy" Combs a.k.a. Puff Daddy. You can't admit to liking any song he executive produced, co-produced, or rapped on. You have to automatically label all the beats he used as wack even if they came from songs in the 80's that you liked (and yes I'm referring to The Message as WELL as Every Breath You Take).
In fact, to be true you've got to accuse Puffy of being more gay than Andrew Cunanan, or as one of my co-workers at ACI put it, "Puff Daddy sounds like the name of a male prostitute."
Somehow, it's usually when a train of destruction gets up a full head of speed that I like to jump off and switch to another track. It's fine and well to give people the criticism they deserve, but it's another to automatically assume anything is bad before you've listened, heard, and made up your mind for yourself. Bearing that in mind, and knowing that at least four tracks could be salvaged by guest appearances from the late Notorious B.I.G., I sat down to listen to Puff Daddy (and the Family) with their album entitled _No Way Out_. Frankly, I felt like I was the one with No Way Out -- damned if I dared to like it but damned if I labelled it wack w/o hearing it. In all honesty (and risking my hip-hop credentials to say this) it's not the worst album I've ever heard. In fact, it's not really THAT bad. Sure, we all know Puff Daddy is no mic virtuoso - artists like Ras Kass and Chino XL have long since proved they are WELL more clever and wittier than producer/rappers like Sean Combs. For that reason I think Puff made two wise choices: he stuck to simplistic raps that didn't overreach his abilities, and he brought a lot of guests on the album to help rhyme on some of the songs. The most surprising thing is that at least a couple of the songs which feature solely Puff Daddy are respectable. "Do You Know?" has smart and crisp sounding piano playing, a sung chorus which is thoughtful and not at all annoying, and a simple but well articulated message. Puffy offers the question "Do you know where your life is going?" both to himself and to the listener, and it doesn't sound forced or cliche. "Pain" is another song built on piano notes, but this one being a genuinely somber and sorrowful sound of remorse. Go To Page: 1 2
The copyright of the article No Way Out: Hip-Hop Writer Risks Hip-Hop Credentials in Hip-Hop Music & Culture is owned by . Permission to republish No Way Out: Hip-Hop Writer Risks Hip-Hop Credentials in print or online must be granted by the author in writing.
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