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Slow Poison
For a long time now, scientists have known of the dangers posed by Persistent Organic Pollutants (or POPs). In 1944 traces of DDT were found in human fat and by 1951 scientists were able to detect traces of this contaminant in the milk of breast feeding mothers. In the early 1950s naturalists were noting the thinning of eggshells that lead to a crash in the bird populations. However, it was only when Rachel Carson wrote her book "Silent Spring" that what had become an accademic concern became more widely known. In this book she described the devastating effects of persistent pesticides on wildlife and warned of the so-far overlooked human health problems which might occur with exposure. Following the banning or restricting of certain POP chemicals, levels of contamination have declined in many industrialised countries. However, not enough has been done to avert this threat, and unless more is done, soon, we will have a full scale disaster on our hands the like of which we have never known. What are POPs? Living things are composed of organic compounds which contain hydrogen and carbon. These organic compounds are virtually indestuctible. The persistent organic pollutants we are talking about are manmade organic compounds. All persistent organic pollutants have three major qualities:
Twelve types of chemicals have been named as POPs. These are: DDT, Aldrin,Dieldrin, Endrin, Chlordane, Heptachlor, Hexachlorlbenzene, Mirex, Toxaphene, Polychlorinated Biphenyls, Dioxin and Furans. Most of these chemicals are found in organochlorine pesticides, brominate flame retardants or vinyls. Others are released as a biproduct of processing. For instance PVC is a prime source of dioxin both in its production and its use. The burning of PVC in incinerators or the burying of it in landfill sites will also release dioxins. Why are POPs so much trouble to manage?
The copyright of the article STOPPING THE POPs in Green Home is owned by . Permission to republish STOPPING THE POPs in print or online must be granted by the author in writing.
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