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Salvador Dali ranks with M.C. Escher in my artist's book of interest. I have been an admirer of his work since my teens. All along it has been my goal to mimic his style to mix with my own, but this is no easy task.
Inspiration seems to flow from each one of his paintings, particularly his most famous work, Persistence of Memory. I am fascinated with his ability to mix reality with illusion. His unique blend of fantasy and reality is said by researchers to characterize his life through his work. Causes one to wonder what kind of man Dali was in his everyday life. Dali, born May 11, 1904 in Figueras, Spain, is grouped as a Spanish surrealist painter. His work is said to show Italian Renaissance and metaphysical influences by many of his admirers. I am not surprised by this assessment considering his associations with the French surrealists. He was known as becoming "gest member of the French surrealist group" soon after settling in Paris during 1928. From the beginning, Dali received tremendous support from his mother, his father and a younger sister. His first studio was actually situated in a small room in the family home, where he received private lessons. In 1919, he participated in his first exhibition and also founded the magazine called Stadium. Though Dali's education was not extensive, he did excel in his studies. In 1921, he enrolled at the San Fernando Royal Academy of Fine Arts in Madrid. Before reaching the 1924/1925 term, he was expelled from school. This due primarily to the fact that he refused to conform, he dressed in an eccentric manner and was very outspoken. During World War II, he sought refuge in the United States with his wife Gala. He returned to Spain as soon as it ended. Dali also spoke of the fact the book, 'The Interpretation of Dreams' by Freud, was of great influence to his works. Its dreamlike method, described by Dali as 'paranoiac-critical' or 'a systematic objectivation of delirious associations and interpretations,' set him into a spiral of activity in the artworld. This included a meeting with Pablo Picasso during a trip to Paris and the Netherlands during 1925. During 1928 he published Manifest Groc with Luis Montanya and Sebastia Gasch, which strongly attacked conventional art. It was because of publications such as this one, he was often accused of being too commercial. Throughout Dali's career, he explored many new theories and media:
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