Unity - Part 12 - Moods


© Kirk Johnson

Even the most unpretentious garden is a work of art, and like music and paintings, it will evoke moods in the people who visit it. One of the reasons why I find the subject of gardens evoking moods in people so interesting is that my own garden is so much a product of my personality that I am not very aware of its moods.

During the 18th century, a number of thinkers suggested that the human mind is passive, that the mind merely receives impulses and directions from the surrounding environment. This was explored in garden design. The idea was that a tomb in a grove of evergreens would induce melancholy, rugged rocks would inspire feelings of sublime awe, imitations of rustic cottages would arouse feelings of sympathy and charity for the laborers who usually lived in such cottages, flowers gardens would cause feelings of delight.

Flower gardens do cause feelings of delight, but the other experiments were less than totally successful. The human mind is not passive, not even when trained to be passive by a childhood of watching television, but it is possible for gardens to induce moods in visitors.

When attempting to unify a garden through mood, the safest method is for the garden to have only one dominant mood. The garden can be an exuberant explosion of color, a refined garden of pink and lavender or a cool garden in shades of green. This is known as harmony, when everything in the garden supports one mood, even if the mood is not one that most people think of as harmonious. Unity is similar to harmony, because in order to have a unified garden, most of the elements in the garden should harmonize with each other, but unity can also include contrast. Too much contrast will destroy unity, but a garden without contrast will probably be dull. If you orchestrate the garden's moods, it is possible for a unified garden to have more than one mood.

Colors affect moods in humans. The color wheel is divided in half. One half of the wheel is cool, the other is warm. the cool colors, such as blue and green, have a calming, even depressing effect. The warm colors, such as red and orange, have a stimulating effect. Some gardeners place their "hot " border on one side of a path, and their "cool" border opposite the "hot" border. While this may make sense from a colorist's point of view, if you want to orchestrate moods in your garden's visitors, it is probably best to have the visitors move from a "hot" garden to a "cool" garden, or vice-versa.

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Here's the follow-up discussion on this article: View all related messages

19.   Jul 21, 1998 1:04 AM
Actually, I can see more value in harmonizing with your neighbor's plantings, than in planting something different, just to be different. Dogwoods are only in bloom for a month or less, the rest of th ...

-- posted by Kirk_Johnson


18.   Jul 20, 1998 10:46 AM
Kirk, I hear you. My biggest gripe about landscaping is unimaginative plantings. Why do you need to plant a pink dogwood if your neighbor has one? Why not look for something different? There are s ...

-- posted by ______MarcellaGM


17.   Jul 19, 1998 11:28 PM
Marcella, I was thinking more along the lines of gardens which are a collection of plants from Kmarts garden department. Golden conifers next to varigated shrubs. Plants which were bought on impulse a ...

-- posted by Kirk_Johnson


16.   Jul 19, 1998 8:25 AM
Kirk, that muddle you discribed is what a cottage garden is all about, when you think of it in it;s purist forms, collections of "pass-a-long" plants that have been have been casually added to the spa ...

-- posted by ______MarcellaGM


15.   Jul 18, 1998 11:41 PM
Western civilization has two main traditions in gardening. One is the garden as a place where one tends plants, the other is the garden as a work of art in which plants are one of the elements used to ...

-- posted by Kirk_Johnson





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