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Pro's call the typical dead fish, delighted angler shots, "grin and grabs." Given cameras work short side, as well as long side down decent fish "pics" start with the realization that you can hold fish, and the camera both ways.
Such seems particularly important these days when catch and releast is usual for many areas and many species. LIVE FISH SHOTS Live fish require minimal handling. If possible shoot the fish in or barely out of the water. A nice knotless, shallow catch and release net helps. "No knots" means that you don't knock scales or protective slime off the fish. As an asside, opt for a net with a long handle lets you reach out further so you can net your catch before it's exhausted. Fish played until they float on their side can die from lactic acid buildup If your subject kneels in the shallow water and tip the netted fish towards the camera you get a better shot. If the subject's in a boat you may need to lean out to get a good angler or, if you're near shore, hop out. Again, minimal handling, quick photos and a rapid return of the fish to the water AFTER you pump it back and forth until the fish is frisky, seem basic. DEAD FISH SHOTS As a rule, if you shoot the angler from the waist up the fish should be held out in front. This also makes the fish look bigger without the exageration you get when you hold the fish out with extended arms. Try to cradle the fish under the gills and tail so you can see the fish, not your fingers. Very large fish may be hoisted vertically to chest height so you can get the fish and angler in the shot. ALL THE SHOTS Consider the typical magazine photo layout. You'll see establishing shots that show the background, scenics, whole boats etc. You'll see action shots of fish jumping, anglers hauling back on the rod, netting fish or casting. Detail or close up shots complete the package. A fly in a trout shot so close the fish head fills the frame is basic. So are shots of lures, bait rigs, hooking bait fish and the like. STORY BOARDING The key to a complete record of your fishing trip is often as simple as a list -- video pros call it a "Story board." A sample list might include LONG/ESTABLISHING SHOTS: Scenic of the stream or lake from on high or scenic from the lake or stream up towards the snowy peaks. Long shot of boats and anglers trolling, casting etc. Go To Page: 1 2
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