DL: I read your biography on the Internet. What inspired you to start a writing career?
LR: I was living and working in Sicily, and my salary wouldn't stretch to pay off a bank loan I had in England. So I was searching for a second source of income, something that would fit into my schedule. A friend suggested I read Kathryn Falk's How To Write A Romance and Get It Published. At my request, my parents sent me a copy of the book from the U.S. I read the book, and I thought this seemed like something I could do at my own pace and without spending money which I didn't have. So I sat down and started writing books, and then started sending out queries. The following year, I made my first sale--to Silhouette Books.
At the time (15 years ago), Silhouette still had a publishing program which was growing faster than its stable of reliable writers. So when they found someone whose writing they liked, and who seemed capable of delivering 2-4 books per year to them, they worked on helping that writer develop. I sold them a dozen books in five years. Throughout those years, I got detailed editorial commentary from Silhouette on everything I wrote, including all the material they rejected. So, from my perspective, Silhouette spent five years paying me to learn my craft. That's a rare opportunity for a young writer and was a huge asset in my development as a novelist.
DL: Did being the daughter of a SF author influence your writing?
LR: As a kid, I often heard my father say things about writing which I now know stuck with me--craft principles such eschewing self-indulgence and fulfilling your responsibility to engage and absorb the reader. When I was a teenager, my father paid me by-the-page to type the final drafts of his manuscripts. That's how I learned to type, and also how I learned MS formatting. I probably unconsciously learned about the revision process, since I was typing from his line edits of his own work and thereby seeing the changes he made as he went along, and seeing how many changes a writer might make from initial draft to final version. I also developed an understanding of how polished a writer's prose and how well-crafted his story should be before shipping a MS. Perhaps because of that, many editors have commented to me how clean and polished my work is upon delivery.
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