In Manhattan it is not enough to decorate. Whatever is the style, the statement has to be made, i.e. it has to stand out. It is unique, assured and always look innovative.
Manhattan style is not about period rooms filled with traditional furniture and antiques. Rather, it is a combination of many period styles, which also has a place for contemporary, modern furniture.
This style has a long, versatile history, which can be traced back into 1897 when the 1st book ‘ The decoration of homes’ was written by architect Codman and Mrs. Wharton. It encouraged Americans to rethink the dark, overstuffed rooms in which they were living. Victorian style was evident then, in the form of upright upholstery, multi-layered carpets and its predictable potted palms. They urged clean and classic line and simplified living spaces.
They recognized the role of architectural features that any house has. They encouraged the use of these features in the interior of the house. They also encouraged the use of ornaments that were applied to these structures superficially. They emphasized proportion and despised vulgarity of the current decoration, then in Manhattan.
New York born actress, Elsie De Wolfe soon put these ideas into practice and others followed. She also introduced mirrors and mirrored walls, an 18th century delight, which was forgotten. She used palette of light and neutral colors especially beige. She created eclecticism that still characterizes Manhattan style.
Another designer who contributed to this style was Odom. He recognized the value of 18th century, French and Italian designs. When the interior was dominated by Victorian style, he introduced this change.
However, during 1940s, Dorothy Draper became very popular among masses. She defied this 18th century decorating by introducing strong color palette and bold designs in interiors. She reached masses through her books, newspaper and magazine columns and radio shows. She changed business like settings of the hotel rooms into comfortable sitting rooms and lobbies. She always operated on a grand scale using giant lamps, great white, plaster, and ornamental appliques against dark walls.
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