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Choice Cuts: February 2002© Adam McKibbin
Artist: The Four Corners
Highlight Track: I’ll go with the title track because I’ve never been to London and I wasn’t alive in the 60’s, but this song makes it awfully easy to pretend. A Busy Man: Guitarist Ryan Lewis also co-runs Kindercore Records, the Athens, GA label that boasts geographically named bands like Japancakes and Of Montreal, in addition to The Four Corners. Lewis also plays with The Sunshine Fix, the new project from Bill Doss (of Olivia Tremor Control fame).For More Info: Check out the label site at http://www.kindercore.com or the band page at http://www.thefourcorners.net Artist: Central Falls Album: Latitude The Scoop: Meditative indie-pop from Chicago, helmed by the Vida brothers (US Maple drummer Adam at the front, with Ben on lead guitar and backing vocals). Steve Dorocke (pedal steel) infuses some twang into the dreaminess, helping to give Central Falls a sound that will be familiar to indie-pop enthusiasts but still finds its own voice. Lovely.Highlight Track: “Leave Into” is a good song to play when you’re stuck on the 405 and carks keep cutting in front of you. Believe me. Honorable Mention: The album is very consistent in mood, and “Latitude” and “Parallel” are two more songs in the same vein. Smart songwriting that isn’t cutesy, tender harmonies, and patient instrumentation. The only problem is that sometimes the songs are so sweet and dreamy that you wish Jeff Buckley was singing them.For More Info: Check out the label site at http://www.truckstoprecords.com Artist: Tijuana Crime Scene Album: Change of Venue The Scoop: The debut EP from a Kansas City collective well worth checking out and keeping an eye on. Tijuana Crime Scene features several ex-New Amsterdamers (including singer/songwriter Alex Brahl), as well as Robert Pope from the Get Up Kids. It’ll be interesting to see what these guys come up with in the future, although rumors say that Brahl is recruiting an all-new band. In the meantime, the EP moves through roots rock (“Shoot The Lights Out”) and even tender piano ballads (“Forever Leaving”). A pleasing collection from start to finish.
The copyright of the article Choice Cuts: February 2002 in Indie Music is owned by Adam McKibbin. Permission to republish Choice Cuts: February 2002 in print or online must be granted by the author in writing.
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