A Window in Time


© Kelly Ferjutz

Music hath charms to soothe the savage breast, to soften rocks or bend a knotted oak. At least so said William Congreve in his drama, The Mourning Bride. William lived from 1670 to 1729, and likely heard some of the early keyboard instruments. I think he must have been a time-traveler - coming to the future - and was really talking about today's piano music played on today's pianos. They have no equal for virtuosity.

Queen Elizabeth I was known for, and took great pride in, her exquisite playing on the virginal, a single-keyboard plucked-string instrument, small enough to be picked up and carried around. By the way, keyboard and plucked-string are by no means an impossibility - the early keyboard instruments (other than organs, which are a whole different breed) were played by a plucking mechanism, activated by striking a note on the keyboard. There was little subtlety of dynamics or speed available, lest the "jack" become discombobulated and fly away, leaving the instrument in the silent mode. As a rule, the virginal had only one set of strings for each note, and a four-octave range.

Following the virginal, came the spinet, the clavichord, and finally the harpsichord, all of them played from a keyboard, yet producing a plucked sound through their mechanical system. The harpsichord was the first to allow dynamics or volume control. Piano was soft, forte was loud, achieved through dampers. Their cabinets were primarily constructed of woods, although the strings were usually metal. In the late 1700s, several inventors worked on a different system of producing sound, by connecting a series of hammers to produce a "striking" sound, allowing for rapid repetition of notes.

Because of this development, stronger wires were required to withstand the hammering, and cast steel proved to be just such a sturdy substance. Finally, due to the extra stress, it was discovered that the wooden framework supporting the mechanical portions needed re-working as well, and the first successful iron frames were designed in the 1820s. This led to the piano as we know it today, whether in an upright or vertical fashion or flat as in the concert grand. (Note: Although the terms "pianoforte" and "fortepiano" are seemingly interchangeable, they really denote two separate instruments. The fortepiano is a smaller, softer-voiced instrument, developed between the harpsichord and the piano. It is a fortepiano that was used in the recent splendid BBC/A&E production of Pride and Prejudice, played by its foremost proponent,

Go To Page: 1 2 3


The copyright of the article A Window in Time in Classical Music is owned by . Permission to republish A Window in Time in print or online must be granted by the author in writing.

Post this Article to facebook Add this Article to del.icio.us! Digg this Article furl this Article Add this Article to Reddit Add this Article to Technorati Add this Article to Newsvine Add this Article to Windows Live Add this Article to Yahoo Add this Article to StumbleUpon Add this Article to BlinkLists Add this Article to Spurl Add this Article to Google Add this Article to Ask Add this Article to Squidoo


Here's the follow-up discussion on this article: View all related messages

1.   Sep 10, 1998 10:24 AM
Whoo, Kelly!

That was a tremendous amount of information, great article.

Thank you for all your work!

Michele

Editor-'80s Music

Music Managing Editor

...


-- posted by MyMuse





For a complete listing of article comments, questions, and other discussions related to Kelly Ferjutz's Classical Music topic, please visit the Discussions page.