THE CLASSICAL SINGER


© Roslind M. Sherman

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YOU ARE YOUR OWN INSTRUMENT... So, where are the GO buttons. the BREATH buttons, the HIGH and LOW buttons. Singers don't come with the nuts and bolts of technology.

A singer simply does what comes naturally. So learn to be sensitive about how the voice feels. Is it tight, stretched, sore or impassive? Most classical vocalists understand their own psycological character, realizing that stress, nerves and emotion will greatly affect the quality of sound and the disposition of the diaphramic breathing.

Every aspect of classical singing demands, what is called a the ' WHOLE BODY ' approach. My next article will be called " THE SINGING OM " ". In it, we will review the importance of creating a singing environment within.

KNOWLEDGE...Know that your instrument is your voice. If it gets sick as in, sore throat, polyps or abusive technique, the vocal chords will stop working. You may develope laryngitus.

The larynx is visually inconceivable to understand, if you don't know what the voicebox looks like. Take the time to educate yourself by researching through books and journals . Learn the psycology and physiology of of your instrument.

Be aware that environmental pollution and natures pollen sometimes affects the breathing and vocal apparatus. This is an issue that I would like to review , in depth. So watch for the first in a series of, " ALLERGIES AND THE SINGER ".

BREATH is that special element that sustains life. When we inhale and exhale, one continuous flow of rhythmic harmony is created within the human body. Inhale to 15 hold for 5, exhale in tiny sssss puffs to 100.

It's difficult at first, but after ten repeated breath therapy sessions, students show escalated increases in breath retension and control. In my ' VOCAL HATHA ', we will explore different breathing techniques as they apply to the singing voice.

POSTURE is another contributing factor in the longevity of singing. Stand infront of a mirror and you will notice that: 1. Your neck and head are protruding forward. 2. Your shoulders are curled or rounded. 3. You're bent slightly forward from the torso or waist. 4. Your derriere sticks out. 5. Your legs are locked. These postural poses may be detrimental to the healthy ethnics of singing.

Miss Manners was not far off, when she insisted that little BETTY walk around the room with a book on her head. Balance, poise and body alignment regulate the confident disposition needed for vocalizations. Yoga is excellent for redefining the body and spirit. So get ready for a glimpse into alternative methods and lessons when I submit" VOCAL AEROBICS ".

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Here's the follow-up discussion on this article: View all related messages

4.   Sep 11, 2001 12:44 AM
In response to message posted by Dantessa:

Welcome Dantessa... Mirella Freni has graciously earned the title of " PRUDENTISSIMA ...


-- posted by roslinds


3.   Sep 11, 2001 12:02 AM
HEY CHRIS... THANKS for being the first message of the Classical Diva page. I am always impressed by people who continue to sing throughout life. Somehow it makes life happier. "The Tao of Breath ...

-- posted by roslinds


2.   Aug 30, 2001 8:51 AM
Be still, my heart!

Welcome to Suite! I am excited to see your topic here.

I am a lyric coloratura. I trained in opera for several years, though I haven't trained in a while (much to my family's ...


-- posted by Dantessa


1.   Aug 30, 2001 7:31 AM
Welcome aboard, Roslind!

I just joined the Austin's (Texas) Women's Chorus after 15 years of not singing and wow. I'm picking up a lot of stuff really fast! Diction is easy for me, breath is no ...


-- posted by cswitwer





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