Veronica Lake: Film Noir Double Feature


© K Cruver

This winter I've been taking another look at the films of Veronica Lake, one of my first biography subjects here at Suite101. Every time I see one of her performances, I'm amazed that she is remembered or that sleek, eye-covering hairdo, and hardly at all for her accomplished acting.

Lake possessed a unique low-key charisma. Though she played nearly all of her roles at the same easy pitch, she could do anything, from drama to comedy. Her career was doomed by three strong elements: wild, disruptive behavior (which was attributed to everything from alcholism to untreated paranoid schizophrenia), poor scripts and typecasting.

Though Lake could easily have been as praised for her comedy talents as for her dramatic abilities, (which she proved in Sullivan's Travels (1941) and I Married a Witch (1942) ) she was typecast for a reason. Lake played the possibly shady lady better than any other actress, because when she turned out to be innocent in the end, it was easy to accept; her cryptic manner could hide sweetness just as easily as it could corruption.

Two of her most successful film noirs are the roles in which she and Alan Ladd began their famous film partnership. They are also an excellent showcase for her cool, but charming persona.

This Gun for Hire (1942)
Directed by: Frank Tuttle
Also Starring: Alan Ladd, Robert Preston

This early film noir was momentous for many reasons. It was the first time Lake and Ladd were paired onscreen, Lake received her first screen kiss (from Preston) and the film turned Ladd into a star. The production was meant to be a vehicle for Lake, partly in response to her comedy triumph in Sullivan's Travels (1941).

While This Gun for Hire was a great success for Lake, she regretted that the role put her back into the sort of role that she'd so happily escaped in Sullivan. She plays nightclub magician and her part requires her to sing, dance, perform sleight of hand and wear long false nails, all things she was somewhat clumsy in handling (though you'd never know it from the results).

Lake's boyfriend is a police detective (Preston) who wants her to retire and marry him. Before she can take him up on his offer, she is recruited to spy for the government, and ends up a hostage of Raven (Ladd), the hitman her boyfriend happens to be trailing.

While Preston plays an appealing character, the scenes between Lake and Ladd are by far the most touching in the movie. Though Lake is Ladd's prisoner, it is she who dominates him with her warmth and emotional maturity. Though he tries to resist, she starts to soften her captor and he comes to enjoy the attention she gives him.

Trio
   

Go To Page: 1 2


The copyright of the article Veronica Lake: Film Noir Double Feature in Classic Actresses is owned by . Permission to republish Veronica Lake: Film Noir Double Feature in print or online must be granted by the author in writing.

Post this Article to facebook Add this Article to del.icio.us! Digg this Article furl this Article Add this Article to Reddit Add this Article to Technorati Add this Article to Newsvine Add this Article to Windows Live Add this Article to Yahoo Add this Article to StumbleUpon Add this Article to BlinkLists Add this Article to Spurl Add this Article to Google Add this Article to Ask Add this Article to Squidoo


Here's the follow-up discussion on this article: View all related messages

2.   Jan 15, 2003 9:20 PM
In response to message posted by Gay_Klok:
I wish you had pictures of those Veronica Lake wannabes! I would have loved to have se ...

-- posted by kcruver


1.   Jan 13, 2003 8:47 PM
I am just old enough [!] to have seen Veronica Lake and remember how we all tried to have hair draped over one eye. Our mothers used to tell us we would go blind! I thought she was soooo beautiful ...

-- posted by Gay_Klok





For a complete listing of article comments, questions, and other discussions related to K Cruver's Classic Actresses topic, please visit the Discussions page.