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This year, I am very happy to celebrate Black History Month by writing about a historically important movie that I had long hoped would be re-released. Hallelujah (1929) is finally available on video again.
The first all-black musical to be made in Hollywood was also one of the first musicals. While the studios struggled to adapt to sound, this little gem distinguished itself. It is one of the few early sound films worth seeing today. It was the first talkie* to be made by King Vidor, an already successful silent movie director with a reputation for using his growing clout to get his personal pictures made. Hallelujah was one of Vidor's personal triumphs; the studio only permitted him to make the movie once he agreed to donate his salary to the production. The story revolves around Zeke (Daniel L. Haynes), a cotton farmer who is lured into trouble by a seductive woman named Chick (Nina Mae McKinney), and struggles to rise from the tragedy that results. For those used to the lavish musicals of the forties and fifties, the naturalistic style of the musical numbers may be unsettling at first, but the talent of the performers, and the simplicity of the surroundings are ultimately refreshing. Though the drama and songs still retain much of their power today, McKinney remains one of the best reasons to see Hallelujah. With her fluffy bob and exuberant dance moves, she's reminiscent of Clara Bow, and her sharp gaze has the flavor of a young Bette Davis, but this lady had a gutsy street-smart energy that was uniquely hers. Though she received wide praise for her first screen role, and signed a five year contract with MGM, the studios could not find a place for this vivacious young talent. She would inspire Lena Horne and Dorothy Dandridge, and they each made further advances in the struggle for good parts that continue to inspire young actresses today. *The movie would also be released in a silent version with title cards.
More Movies to See Though Hallelujah is one of very few all-black musicals produced in Hollywood, there are still a handful of interesting movies, many with stunning ensembles. Unfortunately, though African Americans are the focus in these films, they were made by white producers and there are some lapses into negative stereotypes, but for the most part, they are an opportunity to see some fine performances, including great actresses. Here are some titles to look for:
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