1939: A Great Year
May 9, 2003 -
© K Cruver
Intermezzo Though she was one of the great beauties of classic Hollywood, Ingrid Bergman was too good an actress to classify as a glamour girl. She was a multi-dimensional performer who always defied categorization. Already a successful film actress in Sweden, Bergman gave American audiences their first glimpse of her unique appeal when she reprised her role from the original Swedish version of the film.
Mr. Smith Goes to Washington The ragged, but endearing voice that nearly ended Jean Arthur's career at the birth of the talkies became one of her greatest assets, as it is clear in her role here as a hardnosed reporter. Though she softens her feelings in the end, the voice reminds us that she will always have enough of an edge to keep her head. Arthur was director Capra's favorite actress; she also worked with him in You Can't Take it With You (1938) and Mr. Deeds Goes to Town (1936).
Ninotchka Garbo's last great film had a mood atypical of her usual torrid romantic dramas. Though her laugh in the famous scene was dubbed, she does loosen up for Lubitsch. Seeing her acquit herself so well in this witty comedy it is almost possible to forget the tragedies of self-sacrifice with which she made her name.
Stagecoach
The movie that helped solidify Wayne's cowboy image also provided a strong role for young Claire Trevor. In her role as the familiar hooker with a heart of gold, she shows an early aptitude for playing the fallen woman with unseen depths.
The Wizard of Oz The movie that gave us Judy Garland singing Over the Rainbow is also a great showcase for Billie Burke and Margaret Hamilton, two of the best character actresses in 1930's Hollywood. They each made numerous films, and though their careers are overshadowed by the huge reputation of this film, they probably would have been completely forgotten without it.
The Women
The copyright of the article 1939: A Great Year in Classic Actresses is owned by K Cruver. Permission to republish 1939: A Great Year in print or online must be granted by the author in writing.
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