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The Story of Gospel Music


gospel long before she signed a lucrative contract with Columbia Records in the 1950s. Her star continued to rise, landing her on the "Ed Sullivan Show" and providing the opportunity for her to sing just before Dr. Martin Luther King, jr. delivered his "I Have a Dream" speech (Interestingly enough, she sang Dorsey's "Take My Hand, Precious Lord at King's funeral in 1968). Her rich alto voice affected all those who heard it and several of today's singers either wanted to sing like her or with her.

Clara Ward (1924-1973) and the Ward Singers, on the other hand, took the opportunity, in Clara's words "to take God's words to His people wherever they were." This, of course had been done by Sister Rosetta Tharpe decades earlier when she had performed with Lucky Millender and his band. Ward was one of those rare people who had both flash and substance. Opal L. Nation, in writing copy for a reissue of Ward's recording, says that Surely God is Able was "the first ever million-seller post-war gospel record." (If true, this is astounding. Only a handful of gospel recordings ever reach the status of gold, 500,000 copies sold. In 1968, Oh Happy Day by the Edwin Hawkins Singers, was the first to do so since RIAA began keeping statistics.) Ward had a direct effect on the career of gospel great Marion Williams [Williams sang with the Ward Singers] and influenced both Little Richard and Aretha Franklin, who noted Ward as her idol.

James Cleveland (1931-1991) was considered by many gospel enthusiasts to be "The King of Gospel," receiving four Grammys, the last awarded posthumously for the album Having Church. Cleveland was a charismatic singer who held the audience in the palm of his hand. This is ironic since his voice, rough and raspy, could not be considered one of great quality. Nonetheless, he mesmerized his audience and brought a standard of excellence to gospel music in general through his organization in 1968 of the Gospel Music Workshop of America, the largest gospel convention in the world.

Legendary singers of the '50s and '60s included Edna Gallmon Cooke and Brother Joe May. Although not quite fitting the category of pioneers, the following contemporary singers are sure to reside in the realm of legendary divas and dons as well: Tramaine Hawkins, Daryl Coley, Andrae Crouch and the late Thomas Whitfield.

The copyright of the article The Story of Gospel Music in Christian Music - Gospel is owned by Carol Allen. Permission to republish The Story of Gospel Music in print or online must be granted by the author in writing.

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