Reflections on the Tarot and Divination


Tarot de Marseille
. . .to apprehend
The point of intersection of the timeless
With time, is an occupation for the saint. . .
--T.S. Eliot

I first became acquainted with the Tarot one gray afternoon in London when as the Gershwin song goes, "the British Museum had lost its charm." I wandered into a little magic and curiosities shop across from the museum and noted several decks of "fortune-telling" cards.

One thing led to another, and utterly fascinated with the esoteric pictures on the faces on the cards, I bought one of the classic decks, the familiar Tarot de Marseille version. I hurried back to my bed-sitter in Hampstead with my treasure, eager to sit back with a "cuppa" and figure out what the future held for me.

Though I tried the various "spreads" over the next few days (such as the five-card, the Celtic Cross, etc.) mentioned in the small pamphlet accompanying the cards, discouragement set in as I realized that I did not know how to interpret the cards. For example, the card called "Death," a gruesome rendition of the Grim Reaper had appeared several times, and I was still very much alive and kicking.

Not too long afterward, I showed the cards to an older English friend of mine. He remarked--with more wisdom than I understood at the time-that at my young age, with all the attendant uncertainties that so often go with youth that I was grabbing at anything that offered direction. I suppose he was right. During that period in my life I was living in a foreign land, had not completed college, was working as a bar porter for a few shillings an hour at the Earl's Court Exhibition halls.

Therefore, I put the cards away with the other memorabilia of my British experience and did not give them much thought for a couple of years. Then while studying T.S. Eliot's poem, The Wasteland, in college, I came across his references to the Tarot (i.e., "I do not see the Hanged Man"). I found my almost pristine deck, did some research and discovered that the university library contained many books on the history, philosophy and interpretation of the cards.

I started a study of the cards in earnest, and my interest in the Tarot as well as other divinatory arts continued for many years. I gained some skill with the cards and occasionally read for friends and others. Moreover, the symbolism of the cards complemented my studies in literature, astrology, consciousness and spirituality.

The copyright of the article Reflections on the Tarot and Divination in Care of the Soul is owned by Thomas James Martin. Permission to republish Reflections on the Tarot and Divination in print or online must be granted by the author in writing.

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