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World War I was a turning-point in Modern European History. In addition to ushering in a new age, it also should be looked at as a cultural shock. Before the war, the world had known peace, since then, the world has only known war. This is rather simplistic, for sure, but it captures the essense of British thought on the war during the Interwar Period.
A.J.P. Taylor, in his classic history of Interwar Britain, wrote that "Not only men perished. There perished also the zest and idealism with which nearly three million men had marched forth to war." [7] This zest would never be regained again - even during the Battle of Britain and other battles of World War II, the tone was much more somber than it had been in the halycon days of August 1914. This change became manifested in the serious efforts for peace during the 1920s and 1930s, by Chamberlain and his appeasement policy, and by Churchill's heavy opposition toward D-Day during World War II. It was also manifested in British popular culture. One of the effects of this battle was the development of "shell shock" [8] among the soldiers returning from the front. Some, having a harrowing experience, would be scarred forever by it. Many of the more notable would later write books: Robert Grave's Good-Bye To All That, Siegfried Sassoon's Memoirs of An Infantry Officer, and Erich Maria Remarque's classic book All Quiet On the Western Front being some of the better known. Many also would write poetry. The Battle of the Somme was a clear dividing line between the poetry of the war. Before the war, poetry was upbeat, martial, supportive of Britain's war effort and cause. After the battle, the tone became more somber and pessimistic, even anti-war. Go To Page: 1 2
The copyright of the article The Ghosts of War: Popular Memory and the Battle of the Somme [WWI] in Modern British History is owned by . Permission to republish The Ghosts of War: Popular Memory and the Battle of the Somme [WWI] in print or online must be granted by the author in writing.
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