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One of the secrets behind Laurel and Hardy's enduring success was that audiences believed in them and in their faith in each other. No other screen friends were ever as symbiotic as skinny Stan Laurel and chubby Oliver Hardy. They needed each other, and they knew it. It was not something that was usually stated outright - it was understood that Laurel and Hardy were friends at the beginning of every film, they would be friends at the end of every film, and they would return again, as friends, in the next film. So, behind the slapstick pratfalls, they exuded a warmth and humanity that few other movie stars could match.
After a fade to black, The Boys are at their boarding house, ready to enjoy soup. Stan attempts to pour some salt into his, but it the shaker is clogged, so he unscrews the top of the saltshaker, pours a little into his soup, and replaces the top loosely. Ollie, who has not seen this, desires a little salt himself, and winds up pouring the entire contents of the saltshaker into his soup. Knowing instinctively that Stan must be the cause of this, he switches his soup bowl with Stan's. Stan then tries to add some pepper, but finds the same problem with the pepper shaker and employs the same solution - loosening the top. Ollie again takes the loose-capped pepper shaker and pours the entire contents into his soup. Stan then goes for the ketchup bottle, but Ollie, not trusting himself to check the ketchup bottle before he uses it, grabs it from Stan and hides it away. Before Stan can ruin any more of Ollie's supper, the landlady throws them out for owing 14 weeks back rent. Fired from the orchestra, thrown out of their boarding house, they refuse to be defeated, and immediately begin anew as street musicians. The mini-concert begins but is interrupted by a police officer who inquires if they have a license. They don't even have a dog, answers Ollie. Move along, demands the officer. |
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