A History of Violence
© James C. Hess
I like director and sometimes screenwriter David Cronenberg. Not for his films and movies, which are consistently disturbing and horrifying, unsettling and worrying, but for the remarks and comments, observations and opinions, he makes when it comes to the promotion of his latest cinematic opus.
Several years ago, for example, he shocked the world and theatrical exhibitors with remarks about the news media, and their undeniable blood lust. His remarks, at the time, were beyond outrageous, costing him and the studio that had financed his latest effort dearly, but proved prophetic, which made them that much more extraordinary.
Now he is back and making remarks and comments, as always, Cronenbergesque: His latest opinions have infuriated not only conservatives and Christians but their otherwise nemesis as well: According to Cronenberg anyone who supports and believes the postulations set forth by Darwinian theory must also believe violence is an absolute when it comes to the assurance of survival of the fittest.
Simply put: In order for you to live others must die.
Superficially it is an assertion that is undeniably deranged and contentious, controversial and quite possibly sacrilegious, at least in scientific and theological circles. But consideration of it finds a certain curiosity within: Cronenberg, in his blatant attempt to provoke attention for himself and his work, has hit upon a disturbing truth, validated by equally disturbing facts.
And in his latest film, "A History of Violence", based on the graphic novel by John Wagner and Vince Locke, he successfully proves it:
"A History of Violence" opens in a small Indiana town. Tom Stall (Viggo Mortensen) runs a greasy spoon diner, the sort that really doesn't exist anymore: It is, at once, a village crossroads, a local watering hole, and a clearing-house for all the gossips, lies, half-truths, and secrets otherwise hidden away in small towns, that also really don't exist anymore. Of course, these qualities are reflections of Tom himself: He is the sort of guy everyone likes, depends upon, and trusts. And why shouldn't they? He is married to Edie (Maria Bello), a trustworthy, honest lawyer. They have two children, Jack (Ashton Holmes), and Sarah (Heidi Haynes).
Initially it seems Cronenberg is paying homage to the films and movies of the great Frank Capra. But suddenly, all Hell breaks loose, and everything is turned inside out: Two tough guys enter the diner with guns out, and try to attempt a stickup. But before they can do what they came to do Tom responds: He takes both of them out, and makes the front page of the local newspaper a hero.
