The Dreamweaver And The Mystic:
Gary Snyder Turns Zen Buddhism
Into The Art Of Translation
Mystical enchanted journeys, experiments
into realms of the mind, new directions in
ever changing lifestyles that would later emerge
in the seventies, a questioning of political,
as well as, environmental issues helped to give
the Beat literary movement a sense of modernity
boardering around the avant-guard that still;
even though the passing of the orginal Beat era
has been fifty years, helped to shape the image
of the literary artist to the present day.
Resembling the English romantics in style and
fashion, the Beats, whether accidentally or on
purpose created an image for themselves that
would help to define the role of the artist in
the literary world. Their poetry carried mystical
almost experimental undertones in the styles
and themes that the poetry, stories, and essays
addressed. The artists themselves led rebellious
lives, breaking the societal mores of the day.
Many of them carried the banner for a variety
of political and environmental issues that were
often unpopular with the general majority in
the country. Many of them tended to lean towards
Democratic socialist ideals; although this was
not always the case. Kerouac may have been
slipping closer into the liberatarian political
spectrum later in life. They gained a great
deal of respect; not only because of their unique
style of writing, well written prose, and
aesthetic poetry, but their individual expression
of themselves.
One of the strengths from the Beat era in
literature that was rarely mentioned, and often
unnoticed was the diversity inherent with-in the
movement. Of each of the original beats, Gary
Snyder exemplified this characteristic of taking
literature into the pages of the "noir". He did
so with style, grace, and beauty. A feeling
of dignity flows through his writings, mainly
because of the influence of his personal studies
in Zen Buddhism. Although Snyder would never
admit to being part of the original Beat movement,
claiming that he was part of the later Beat
Renaissance in San Francisco, he definitely
inhabits a role as part of the orginal pioneers
attending the orginal reading of the now famous
poetry reading at the old Gallery Six on October
13th, l955.
October 13th, cold and musty on the dark
streets of San Francisco. Allen Ginsberg will
read his now famous poem "Howl" for the first
time in public. The four major writers of the
Beat movement: Gregory Corso, Allen Ginsberg,
Jack Kerouac, and William S. Burroughs will be
present. Gary Snyder will also attend, the
event; being careful not to attach himself with
a label of being part of the Beat movement. He
will later say in interviews that he was a
younger San Francisco Renaissance Poet; someone