|
|
|
|
|
A Flower Grows In The Cement Stoned
Landscape Of The City:Part III.
"Should I get married ? Should I be good ? Astound the girl next door with My velvet suit and faustus hood ? Don't take her to movies but to cemeteries tell all about werewolf bathtubs and forked clarinets then desire her and kiss her and all the preliminaries and she going just so far and I understanding why not getting angry saying You must feel ! It's beautiful to feel ! Instead take her in my arms lean against an old crooked tombstone and wow her the entire night the constellations in the sky---" (19) Gregory Corso had indeed grown beyond the early thresholds of youth that seem to bind so many gifted poets. Rather than fade, he continued to explore new realms with each passing year. He had definitely traveled beyond the grassy fields of his youth. "Poet Talking To Himself In The Mirror" shows Corso dealing with his identity in being a poet and writer. "I'd find not only me but a whole herd past me's, future me's He whole cart load and all the years and where have I gotten to in this point of time this isn't the same mirror I gazed into years ago It's the mirror that changes not poor Gregory." (20) His ability to transcend the material; to fly above the earthly confines of his neighbors, and to see a world beyond the picket fence go
The copyright of the article A Flower Grows In The Cement Stoned Landscape Of The City: Part III in Beat Writers is owned by Robert Edward Bell . Permission to republish A Flower Grows In The Cement Stoned Landscape Of The City: Part III in print or online must be granted by the author in writing.
|
|
|
|