Film Review: Gallipoli (1981) - Page 3


© Joshua Smith
Page 3

Brian May's musical score is used to good effect in heightening the emotions of the audience, while avoiding the powerful, patriotic tunes traditionally associated with this genre. The use of Albioni's "Adagio in G Minor" also enhances the splendid production by creating a haunting, adventurous background to the visual action.

Weir patiently constructed Gallipoli in such a fashion as to enable his audience to become emotionally attached to Archy and Frank. Their spirited youthfulness, enthusiasm, joy of living, competitive nature and the mateship that they share is used to great effect in highlighting the awful betrayal of war. In doing so, and in the chilling frozen framed conclusion, Weir has shown how quickly and pointlessly young lives can be destroyed. His visual masterwork carries a deep anti-war message that strikes home powerfully in its examination of the futility and tragedy of war.

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Here's the follow-up discussion on this article: View all related messages

2.   Oct 20, 1999 9:36 PM
Joshua Smith's review of Gallipoli is perhaps the best I've read since the film's release 18 years ago. This is indeed a devastating film, and one which caused me to follow a young Peter Weir's direc ...

-- posted by twinlion


1.   Nov 9, 1997 4:14 PM
Great film review.

Gallipoli is one of my favorite Aussie films (though I often get it confused with The Lighthorse Brigade, as I think I saw them at about the same time when I was young). I think ...


-- posted by Jude





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