On the Top of the Whale


It was long ago I read every Gabriel GarcĂ­a Marquez novel that I could get my hands on and miss that excitement and joy of those books. The feeling of Marquez's The Very Old Man with Wings and his spider woman, woman with a body of spider and a human head is present in the movie I want to talk about today.

Het Dak van de Walvis, or On the Top of the Whale by a Chilean expatriate, Parisian director and writer Raul Ruiz is the most surreal work I have ever encountered. Today, word 'surreal' is being used to describe something unexpected, joyous even, but what I am talking about is the true meaning of the word; not natural, above nature, apart from the nature.

The film is a parody of anthropology, linguistics, cultural imperialism and political beliefs and it has more ideas in its two minutes than the Hollywood production in a decade. It is deliberately set to be done in six languages, English, Dutch, Spanish, French, German and a one specifically designed for the purposes of the film in order to make it more pleasantly sounding, in order to have a feeling as if the whole conversation is a one big and extremely funny and sophisticated poem.

Being made in 1982, its story is set in an imaginary future where the whole world becomes communist, where Marx's dream becomes a reality, where the worker's revolution succeeded.

In Holland, couple of anthropologists organize a trip to Patagonia, to study a strange tribe, two people of a strange customs and with a dying language. The culture that they studying is magnificent, it is consisted of a language, constantly revisited, changing on a daily basis, language of sixty words, where words lose meanings as you put more and more of them together. Its sixty words are actualy derivations of a single word, pronounced 'yasoukah' and one derivation means menstruation and romantic walk on the beach with your loved one in as the sun is falling out of sight and a raw meat.

Two natives that are being studied are named by anthropologists by the closeness of their names to the Dutch Adam and Eden. They interchange their names on a daily basis, making them always a derivation of the name of the other one.

The anthropologists are also strange, Narcisso Cambos is a multi-millioner but also a Communist Party executive, at some point he states that he joined The Party because of its viciousness, because he was able to be a part of the controlling force, almost explaining everything capitalism holds dear. Eva brings her little 8-9 year old daughter to Patagonia and

The copyright of the article On the Top of the Whale in Art Cinema is owned by Andrej Ristic. Permission to republish On the Top of the Whale in print or online must be granted by the author in writing.

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