Voices From the Homeland (Part Two)the beginning To end, On the olive tree In the courtyard Of the house. (Almessiri, 1982) Mahmoud Darwish began his poetic career in the 1960's and rose to fame in the 1970's when he became noted for his metaphorical explanations of the Palestinian reality. The suffering he writes of is his own, but he knows that he is writing for his people. Darwish's words, like Zayad's have often been made into songs for the Palestinian struggle, and he is recognized as one of the greatest Arab poets writing today. This small section is from a poem called "Poem of the Land" which refers to the Day of the Land, a day that is noted annually by Palestinians on March 30. It is a dedication to the student demonstrators and five young girls who were shot and killed by the Israeli army in 1976.
From "Poem of the Land" ...."A small evening And they question him And they have searched him: (from Jayussi, 1992) The important duality of roles for Palestinian poets is apparent in these and others words. Darwish, Abu Salma, Tuqan, and other Palestinian poets are more than just poets. They and their experiences are part of a tragic Palestinian history, and they have recorded it for us to experience, understand and remember. They write not because they want to, but because they have to; not merely for themselves, but for their people. They are poets, but consciously or not, they are spokespeople as well. For a Palestinian --whether in exile or in the homeland -- the experience of misery, loss, sorrow, and yearning for justice is the same. And while it may not be the job of poets to speak our collective experiences, and feelings, Palestinian poets have done just that. For some excellent books of Palestinian poetry, try: Jayussi, S. K. (1992). Anthology of Modern Palestinian Literature. New York: Columbia University Press. Almessiri, A. (1982). The Palestinian Wedding (Three Continents Press). Palestine and Modern Arab Poetry (by K. Sulaiman, 1984, Zed Books Ltd. London)
The copyright of the article Voices From the Homeland (Part Two) in Arab Culture is owned by Aida Hasan. Permission to republish Voices From the Homeland (Part Two) in print or online must be granted by the author in writing.
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