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Formal education isn’t necessarily needed for animation production jobs either. When I first joined what is now Sony Animation, the Production Supervisor I worked closely with on JUMANJI had no animation background whatsoever before coming there; previously this person spent years in retail sales. However, many of the things learned in this totally unrelated field translated to animation production management, such as how to deal with people. It wasn’t that many years later the same person turned up as Line Producer – two job titles higher and much more responsibility – on DILBERT for UPN.
Whether it’s writing a scene every day for a sample (“spec”) script, or communicating with artists and production personnel on a daily basis, you’re learning and honing skills to make you more effective in the animation industry. There’s always room to grow and learn and improve over the years. “Doing” is the greatest teacher. Go To Page: 1 2
The copyright of the article Educating Yourself in an Animation Writing or Production Career - Page 2 in Animation Production is owned by Shannon Muir. Permission to republish Educating Yourself in an Animation Writing or Production Career - Page 2 in print or online must be granted by the author in writing.
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