|
|
|
Page 2
In a much-quoted passage from the introduction to his lives of Demosthenes and Cicero, Plutarch admits that the small town of Chaeronea is not the best place for a historian to work and that a larger place with access to libraries and scholars might be better.
Plutarch's purpose in writing was not so much to give a straightforward account of the actions or internal life of his subjects, as we might expect from a modern biographer, but to give character studies and moral examples. In his introduction to the lives of Aemilius Paullus and Timoleon, he says: I began the writing of my "Lives" for the sake of others, but I find that I am continuing the work and delighting in it now for my own sake also, using history as a mirror and endeavouring in a manner to fashion and adorn my life in conformity with the virtues therein depicted. For the result is like nothing else than daily living and associating together, when I receive and welcome each subject of my history in turn as my guest, so to speak, and observe carefully "how large he was and of what mien," and select from his career what is most important and most beautiful to know. --- But in my own case, the study of history and the familiarity with it which my writing produces, enables me, since I always cherish in my soul the records of the noblest and most estimable characters, to repel and put far from me whatever base, malicious, or ignoble suggestion my enforced associations may intrude upon me, calmly and dispassionately turning my thoughts away from them to the fairest of my examples. (Perrin translation) Thus, for Plutarch, incidents that serve to demonstrate the character of his subject are far more interesting than the great battles or political struggles they took part in. As he says in the introduction to the lives of Alexander the Great and Julius Caesar: For it is not Histories that I am writing, but Lives; and in the most illustrious deeds there is not always a manifestation of virtue or vice, nay, a slight thing like a phrase or a jest often makes a greater revelation of character than battles when thousands fall, or the greatest armaments, or sieges of cities. Accordingly, just as painters get the likenesses in their portraits from the face and the expression of the eyes, wherein the character shows itself, but make very little account of the other parts of the body, so I must be permitted to devote myself rather to the signs of the soul in men, and by means of these to portray the life of each, leaving to others the description of their great contests.
The copyright of the article The Biographers 1/2 - Page 2 in Ancient Rome: Politicians is owned by . Permission to republish The Biographers 1/2 - Page 2 in print or online must be granted by the author in writing.
|
|
|
|
|
|
|
|