Phillis Wheatley's first and only book of published poetry was titled Poems on Various Subjects, Religious and Moral; it was published in England. There are two versions of the history of this book's publication: one is that the Countess Selina of Huntington invited Phillis to London and found a publisher for the poet; the other is that Phillis suffered from asthma, and so the Wheatley family took her to England to recuperate, and while there, they sought publication of her work.
The poet was born in Senegal, Africa in 1753. At age seven she was brought to America and sold to John and Susannah Wheatley of Boston. She soon became a family member instead of a slave. The Wheatleys taught Phillis to read, and she was soon reading the classical literature in Greek and Latin, as well as English. But her talent did not stop with reading, because she began to write poetry, influenced by the Bible and the English poets, particularly John Milton, Alexander Pope, and Thomas Gray.
Phillis wrote her first poem at age thirteen, "On Messrs. Hussey and Coffin," which was published in 1767 in the Newport Mercury. But she gained wide recognition as a poet with "On the Death of the Reverand Mr. George Whitefield," which appeared only three years later. Chiefly, because of this poem, Phillis' first book was later published. It is thought that she had a second book of poems, but the manuscript seems to have disappeared.
In 1778 Phillis married John Peters, a failed businessman. They had three children, all of whom died in childhood. Phillis' final years were spent in extreme poverty, despite her work as a seamstress. She continued to write poetry and tried in vain to publish her second book of poetry. She died at age 31 in Boston.
As one might surmise, there was, indeed, a controversy over the authenticity of Phillis' writing. That a young black slave girl could write like a John Milton was not a fact easily digested back in Colonial America, when slaves were considered something less than human. Even Thomas Jefferson showed disdain for Phillis' writing; in his Notes on the State of Virginia, he remarked, "Religion indeed has produced a Phyllis Whately [sic] but it could not produce a poet. The compositions published under her name are below the dignity of criticism." Yet he goes ahead and offers criticism in his next remark, "The heroes of the Dunciad are to her, as Hercules to the author of that poem."
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