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Breaking New Ground


© Rhonda Cluff

Anyone other than the earnestly religious seldom appreciates films about the Christian religion. It is not often that an impressive film comes along that would provoke emotions even in the hardest of hearts. I believe that such a film has presented itself, one titled Testament: of One Fold and One Shepard, starring Joy Rogers and Jeremy Hoop. This movie offered by the Church of Jesus Christ of Latter-day Saints details the experiences of one family during the time of Christ's life and subsequent resurrection.

Picture a child of barely ten witnessing the sign that Christ is born. Forty years later that same man, who never personally met the Savior, gives his family lessons on the Saviors teachings. Despite his own testimony, his son's faith is weak. This necessitates physical proof to strengthen his faith. The story begins at that point, taking you on a journey as a father tries to save his son. The story uses the timeline of Christ's life as a backdrop. You see what is happening in the family; at the same time, you see what happens to Christ during his lifetime. In some aspects, the characters reflect each other.

The plot is not exactly surreptitious. You might even say that some parts of the story are predictable. I am not inclined to disagree with you. However, there is a certain emotional aspect to the film that keeps your attention. The passage that the son follows gives the film its dramatic impact. The true test of his faith comes when he is forced to decide whether his loyalty lies with his employer, or the family that loves him. In the very end, you see the outcome of the path that he chose. It is in the dénouement, following the test of his faith, that the story grabs hold of your heart.

Perhaps my own convictions have influenced my objectivity. However, the case remains that the acting was superb. The story was consistent, and reverent. The sets appear consistent with the times. As compared with other films in the same genre, this film stands out.

What remains so interesting to me about this film is how it came about. The director of the film, Kieth Merrill, was first prompted by the Prophet of the LDS church to make a film called Legacy. It was to be the "crowning glory" of a person's visit to Temple Square. Merrill described the meeting, " 'I envision a great movie screen on

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