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Grace (1994) is the
debut album from American singer Jeff
Buckley. In fact, this is his only 'official' album for the follow-up, Sketches
(For My Sweetheart the Drunk), was put together after his death.
Other songs also fit this profile, such as 'Grace' and 'Mojo Pin' which cleverly builds up, retreats, and then builds up again before its exciting climax. 'So Real', similar as well, also benefits from a viscious (though brief) passage of electric guitar. Contrasted with this are songs which might be labelled as traditionally sensual. 'Lilac Wine' and 'Hallelujah' are good examples being soft, slow and melodic. While the latter seems to drag on too long and gets repetitive, both demonstrate Buckley's ability to produce beautiful music which he obviously cares passionately about. Indeed this is another theme of Grace. Though he is backed by a full band, and though many of the songs are quite loud, he succeeds in establishing a personal connection with the listener. For some inexplicable reason it does not seem as if he is singing for the listener, but as if he is singing to the listener. Doubtless his captivating earnestness has something to do with it, but there is more to it than that. This last comment is probably the line which would separate admirers from critics. Those who feel as if Buckley is singing to them would see Grace as a beautiful, passionate album. For those that don't, however, they would probably be mystified as to how anyone could make such a comment. RATING: 7.5/10 Go To Page: 1
The copyright of the article Review of Jeff Buckley's "Grace" in Pop/Rock Reviews is owned by . Permission to republish Review of Jeff Buckley's "Grace" in print or online must be granted by the author in writing.
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